360 Degree Filming/VR
Exploring the technology; filming at the Anglican Cathedral and at LJMU; and assessing the effectiveness of the 360/VR format in documentary
Initial research consisted of a group discussion while exploring the technology, and assessing how effective this new format would be in documentary. Initial opinion was mixed, with some colleagues excited by the possibilities while others felt it was gimmicky. Frustrations with the technology were also voiced, such as uncomfortable headsets and blurred shots.
However, using the 360 camera to film on location and viewing the resulting material was what really made be think about this technology and how it could inform my work. While filming I had to reflect on how traditional documentary techniques and language may no longer apply when using these cameras. As the viewer is omnipresent, alternative ways to guide the gaze need to be explored; such as the use of auditory or script clues. Additionally, as the viewer is involved in the film and actively drives the story, the concept of the ‘fourth wall’ is challenged. However, individual immersion and the resulting isolation of the observer can create a very powerful relationship with the film’s subject matter; as such the technology has potential to establish powerful emotional and empathic connections. Concurrently, however, the physical state of the viewer must also be at the forefront of the filmmaker’s craft; for example, tracking shots need to be steady and slow, as too much movement could negatively impact the viewing experience.
Experiments with 360 Filming